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Schiffer Fashion Press 2 2016–2017 NEW RELEASES EUROPE—RISING FASHION DESIGNERS 3 Jane Gottelier & Patrick Gottelier • Fashions by nearly 100 rising designers who will set tomorrow’s styles and drive social change • The inspiring future of fashion, selected by Europe’s top fashion design colleges and universities • Insights, materials, and techniques being used by up-and-coming designers in womenswear and menswear The latest volume of this popular series allows anyone interested in fashion to glimpse its future: the emerging trends in European design. More than 425 photos capture the designs and insights of nearly 100 of Europe’s top fashion students from themost prominent fashion design colleges and universities inDenmark, England, Finland, France, Ireland, the Netherlands, and Scotland. Europe’s up-and-coming designers reveal insights about their design choices, their use of materials, and their chosen techniques in creating womenswear and menswear. This is an essential reference for every fashion program, and for everyone interested in the most exciting trendsetters entering the fashion world. jane gottelier and patrick gottelier head the advanced undergraduate fashion and apparel design programat theDeTaoMasters Academy in associationwith the Shanghai Institute of Visual Arts in Shanghai. They each have over 25 years of experience in the fashion industry. Size: 8 1/2" x 11" • 425 color photos • 200 pp. ISBN: 978-0-7643-5082-5 • hard cover • $39.99 AVAILABLE NOW %RECT$IAGONAL6IEW #HAPTER 4HE"ODY 4HEPOSESEENINDIAGONAL VIEWHASCOMBINED FEATURESOFTHEFULLFRONTAL ANDSIDEVIEWS 4HELINESUSEDFORTHE FRONTOFTHEBODYHEREARE BASEDONTHOSEUSEDFOR THEFULLFRONTALVIEW /NTHEBACKSIDEOFTHE BODYTHELINESUSEDFOR THESIDEVIEWAREAPPLIED 4HEARMCLOSERTOTHE VIEWERISFULLYSHOWNTO ITSBASE 4HEARMFURTHERFROM THEVIEWERISNOTFULLY REVEALED 4HELEGFURTHERFROMTHE VIEWERISDIRECTED SIDEWAYSFORMINGAN 3SHAPE 4HELEGCLOSERTOTHE VIEWERISDIRECTED FORWARDFORMINGA 6SHAPE !STHEBUSTPOINTSARE SLIGHTLYOFFCENTERAND TOWARDSTHEOUTERSIDE THEFURTHERONEFROMTHE VIEWERISDRAWN SIDEWAYSWHILETHE CLOSERONEISMOREORLESS STRAIGHT 4HEMEDIANLINEHASA SLIGHT3SHAPETHOUGH NOTTOTHEEXTENTSEENIN THESIDEVIEW2EGARDLESS OFTHEDIRECTIONOFTHE FACEBEGINBYDRAWING WITHTHE3LINEFROMTHE FRONTNECKPOINT&.0 NECKUPPERTORSOAND LOWERTORSO 4HEFORMOFTHELEG CHANGESDEPENDINGONITS DIRECTION4HEDIRECTIONOF THEKNEEANDTOESCAN SERVEASAGUIDE7HEN DIRECTEDFORWARDTHELEG FORMSA6SHAPEAND WHENDIRECTEDSIDEWAYS FORMSAN3SHAPE 17 /MITTED 0AINTING 4HIS IS A TECHNIQUE WHICH LEAVES AREAS ON THE LIT SIDE UNPAINTED INSTEAD OF APPLYING THE SOLID PAINTING METHOD TO THE ENTIRE AREA /PAQUE WATERCOLORS ARE BEST SUITED FOR THIS STYLE OF PAINTING !LLCOLORSAREMADEFROMTHETHREEPRIMARIES CYAN # MAGENTA - ANDYELLOW 9 PLUSBLACK ,ETSPRACTICEINPRODUCINGCOLORSBY USINGONLYTHESEFOUR $ARKCOLORSCANBEPRODUCEDBYADDINGBLACKLITTLEBYLITTLETO SOMECOMBINATIONOFTHEPRIMARIES )NTHECASEOFDARKBLUE FIRST CREATETHEBLUISH PURPLEBASECOLORBYCOMBININGBLUEANDRED PLUS BLACK 3IDEHITBYTHELIGHT 3IDEINSHADOW 4ESTCOLORSFIRSTONASEPARATEPAPER ASCOLORCONTAININGWATER ONAPALETTEISDIFFERENTFROMTHEDRIEDCOLORONPAPER 4HISISA TECHNIQUETOIMPROVEYOURCOLORCOORDINATIONSKILL !DDAGOOD AMOUNTOFWATERUSINGADROPPER OTHERWISEIT BECOMESTOOTHICK RESEMBLINGOILPAINT $ECIDEONWHICHSIDEOFLIGHTSOURCE SEENHEREONTHERIGHT ANDAPPLYCOLORTOEACHPART SUCHASTHESLEEVEANDFRONTBODY WHILELEAVINGTHELITAREASUNPAINTED )FTHECOLORAPPEARSUNEVEN APPLYANOTHERLAYER )TWILLBEGOODNOTTOTOUCHTHEDETAILLINES -IXBLACKINTHEPAINTTOPRODUCEACOLORFORSHADING (ERE OFTHEFARRIGHTOFTHEFRONTBODYISLEFTUNPAINTED %VENIFTHECOLORBECOMESUNEVEN DONTWORRY YOUCANAPPLY ANOTHERCOATWHENITISDRY 3HADOWSAPPEARONTHEOPPOSITESIDETOTHELIGHTSOURCE 2ETOUCHLINESTHATMAYHAVEDISAPPEARED 7HENTHEGARMENTIS INADARKCOLOR USEAWHITEPENCILORBALL POINTPEN !PPLYBLURRINGBYTHINNINGCOLORSATTHEEDGEOFPAINTEDAREAS WITHABRUSHSOAKEDINCLEANWATER #OMPLETEDWORK 90 /MITTED 0AINTING 4HIS IS A TECHNIQUE WHICH L VES AREAS ON THE LIT SIDE UNPAINTE INSTEAD OF APPLYING THE SOLID PAINTING METHOD O THE NTIRE REA /PAQUE WATE COLORS ARE BEST SUITED FOR THIS STYLE OF PAINTING !LLCOLORSAREMADEF OMTHETHR EPRIMARIES CYAN # MAGENT - ANDYELLOW 9 PLUSBLACK , TSPRACTICEINPRODUCINGCOLORSBY USINGONLYTHESEFOUR $ARKCOLORSCANBEPRODUCED YADDING LACK ITTLEBYLITTLETO SOMECOMBINATIONOFTHEPRIMARIES )NTHECASEOFDARKBLUE FIRST CREATETHEBUISH PURPLE ASECOLORBYCOMBI INGBLUEANDRED PLUS BLACK 3ID HITBYTHELIGHT 3IDEINSHADOW 4ESTC LORSFIRSTONASEPAR TEPAPER ASCOLORCON AININGWATER ONAPAL TTEISDIFFERENTFROMTHEDRIEDCOLORONPAPER 4HISISA ECHNIQUETOIMPR VEY U COLORCOORDINATIONSKILL !DDAGOOD AMOUNTOFW TE USINGADROPPER OTHERWISEIT BECOMESTOOTHICK RESEMBLINGOILPAINT $ECIDEONWHICHSIDEOFLIGHTSOURCE SEENHEREONTHERIGHT ANDAPPLY OLORTOEA PART SUCHASTHESLEEVEANDFRONTBODY WHILELEAVINGTHELIT REASUNPAINTED )FTHECOLORAPPEARSUNEVEN APPYANOTHER AYER )TWILLBEGO DNO TOTOUCHTH DETAILLINES -IXBLACKINTHEPAINTTOPRODUCEACOLORFORSHADING (ERE OFTHEFARRIGHTOFTHEFRONTBODYISLEFTUNPAINTED %VENIFTHECOLORBECOMESUNEVEN DONTWORRY YOUCANAPPLY NOT RCOATWHENITISDRY 3HADOWSAPPEAR N HEOPP SITESDETOTHELIGHTSOURCE 2ETOUCHLINESTHATMAYHAVEDISAPP ARED 7HENTHEGARMENTIS INADARKCOLOR USEAWHITEPENCILORBALL POINTPEN !PPLYBLURRINGBYTHINNINGCOLORSATTHEEDGEOFP INTEDAREAS WITH BRUSHSO KEDINCLEANWATER #OMPLETEDWORK 90 /MITTED 0AINTING 4HIS IS A TECHNIQUE WHICH LEAVES AREAS ON TH LIT SIDE UNPAIN D STEAD OF AP LYING THE SOLID PAINTING MET OD TO THE ENTIRE R A /P QUE WATERCOLORS ARE BEST SUI ED FOR THIS STYLE OF PAINTING !LLCOLORSAREMADEFROMTHETHRE PRIM RIES CY N # MAGENTA - ANDYELLOW 9 PLUSBLACK ,ETSPRA TICEINPRODUCINGCOLORSBY USINGONLYTHESEFOUR $ARKCOLORSC NBEPRODUCEDBYADDINGBLACKLI TLEBYLITTLETO SOM C MBINATIO OFTH PRIMARIES )NTHECASEOFDARKBLUE FIRST C EATETHEBLUISH PURPLEBASE LORBYCOMBININGBLUEANDRED PLUS BLACK 3IDEHITBYTHELIGHT 3I EINSHADOW 4E TCOLORSFIRSTONASEPARATEPAPE ASCOLORCONT ININGWATER ONAPALET EISDFFERENTFR MTHED IEDCOLORONPAPER 4HISISA T CHNIQUET IMP OVEY URCOORC ORDINATIONSKILL ! DAGOOD AMOUNT FWATERUSINGADROPPER OTHERWISEIT B C ESTOOTHICK RESEMBLINGOILPAINT $ CIDEONWHICHSID OFLIGHTSOURCE SEE REONTHERIGHT ANDA PLYCOLORTOEACHPART SUCHASTHESLEEVEANDFRONTBODY WHILELEAVING HELITAR ASUNP INT D )FTH COLORAPPEARSUNEVEN APPLY NOTHERLAYER )TWILLBEG ODNOT OTOUCHTHEDETAILLINES -IXBLACK THEPAINTT PRODUCEACOLORFORSHADING (ERE OFT EFARRIGHTOFTHEFRONTBODYISLEFTUNPANTED %VENIFTH COLORBECOMESUNEVEN DONTWORRY YOUCANAPPLY ANOTHERCOATWHENITISDRY 3HAD WSAPP ARONTH OPPOSITESID TOTHELIGHTSOURCE 2ETOUCHLINEST TMAYHAV DISAPPEAR D 7HENTHEGARMENTIS INADARKCOLOR US WHITE CIL RBALL POINTPEN !PPLY LURR GBYTHINNINGCOLORSATTHEEDGEOFPAINTEDAREAS WT ABRUSHSOAKEDINCL ANWATER #OMPLETEDWORK 90 !PPLYTHEROUGHTEXTUREUSINGTHESIDEOF THELEADSOFCOLORPENCILS $RAWCHECKS7HENCHECKSARENOT CLEARLYSEENDUETONAPPEDFABRICUSEACOLOR PENCILTORENDERSUCHAPPEARANCE &ORADRAWINGFINISHEDWITHCOLORPENCILS USEALSOCOLORPENCILSTOAPPLYSHADING !GOLDBALLPOINTPENISSUITABLEFOR COLORINGABELTBUCKLE ,AYEREDPAINTINGISSUITABLEFORLIGHTAND SMOOTHLOOKINGHAIR!PPLYLAYERSWITHTHE HIGHLIGHTEDPLACESINMIND 5SECOLORPENCILSFOREYESHADOWAND LIPSTICK&ORCHEEKROUGERUBPASTELONTOA SEPARATEPAPERANDTAKETHELOOSEPOWDER WITHACOTTONBUDANDLIGHTLYAPPLYONTHE CHEEK !CCENTUATELINESWHERENECESSARYIN PROPORTIONWITHTHEENTIREFIGURE"ESURETO REDRAWANYLINESTHATHAVEDISAPPEARED #OMPLETEBYFIXINGTHE LINESWITHAFIXATIVESPRAY 5SEADRAWINGPENWITHA NIBFOR THEEYELINE 114 FASHION DESIGN TECHNIQUES: The Basics and Practical Application of Fashion Illustration Zeshu Takamura • Helps you hone the technical and creative skills needed to produce expressive and precise design drawings • Both the governing principles and exact how-to details are presented clearly, with hundreds of examples • An essential handbook for anyone in the fashion or garment industries who must interpret design drawings Covering the basic principles and the creative techniques behind making effective design drawings—the central pillar of fashion design—this guide is perfect for students as well as for professionals working in all branches of the garment and fashion industries. Fromhand drawing to using software applications, it explains how to create drawings that clearly and precisely illustrate the shape, material, pattern, color, and other elements of garments. Patterners, retailers, and fashion design students will rejoice in these comprehensive instructions for making design drawings understandable and expressive. zeshutakamura is Professor of AdvancedFashionDesign andHead of the Fashion IllustrationLaboratory, Faculty of Fashion Science, at Bunka Gakuen University’s Graduate School in Tokyo. He is active in fashion illustration, design, and research at publishers, agencies, and apparel manufacturers. www.zeshu.com Size: 8 1/2" x 11" • 1,200 images • 160 pp. ISBN: 978-0-7643-5047-4 • soft cover • $24.99 AVAILABLE NOW